The Matrix (1999) was what inspired me to pursue visual effects. I love the dark, gritty, bullet-time aesthetic. From the moment Trinity ran along the walls defying gravity, I was hooked. I had found my calling. I needed to create that same aesthetic, that emotion. Thus my hero’s journey into the visual effects world had started.
I earned my Bachelors of Science in ‘Visual Effects and Motion Graphics’ from The Art Institute of California – Hollywood. Following graduation I started at The Mill as a runner and worked my way up to Flame Artist.
I have spent the past 11 years at JAMM as a VFX Supervisor, now Head of 2D, where I’ve lead high-end projects across commercials, short films, and music videos. My experience has allowed me to oversee complex visual effects, working closely with directors, and creative teams to bring their visions to life, delivering top-quality work that pushes creative boundaries.
Along with a select few I received a Rising Stars award in 2018 through SHOTS publication.
In my spare time I enjoy working on creative and experimental short films, music videos, and graphical loops.
In the context of film and television production, a visual effects supervisor is responsible for achieving the creative aims of the director or producers through the use of visual effects. … Often a supervisor will work in tandem with a visual effects producer and computer graphics supervisor.
Flame® 3D VFX and finishing software provides effective tools for 3D compositing, visual effects, and editorial finishing. An integrated, creative environment means faster compositing, advanced graphics, color correction, and more.